People Still Call It Love
Passion, Affection and Destruction in Japanese Cinema
2 February to 28 March 2019
- My Friend ‘A’
- Destiny: The Tale of Kamakura
- Thicker Than Water
- Dear Etranger
- Dad's Lunch Box
- Born Bone Born
- The Scythian Lamb
- Three Stories of Love
- Good Stripes
- Pumpkin and Mayonnaise
- Her Love Boils Bathwater
- Penguin Highway
- Where Chimneys Are Seen
- Tremble All You Want
- Tonight, at the Movies
- Of Love & Law
- Blindly In Love
Love, in all its semblances and dimensions, is a state so universally experienced by humankind that it has provided a perpetual source of inspiration in the long history of global cinema. Japanese cinema is no different. Love and the associated feelings of passion, affection, and destruction, in equal measure have all been channelled into a pivotal driving force behind the rise of many Japanese filmmakers, crystallising in timeless works which form part of the nation’s artistic repertoire.
The Japan Foundation Touring Film Programme 2019 features thoughtfully selected works, all focusing on this theme in one way or another. As the conventional binaries defining what it means to love continually give way to new understandings of this sweeping emotion, so too does this year’s curation aim to provide insights into a wider context of love in Japanese society.
Embracing other complicated emotions that go hand in hand with love, the programme aims to provide a more comprehensive picture of Japanese relationships, ranging from conventional love stories, LGBT issues, familial devotion, compassion for the fellow man, transgressive attractions, to profound renderings of the devastation felt with the loss of love.
The Japan Foundation Touring Film Programme 2019 is programmed and produced by the Japan Foundation, Junko Takekawa (London), Yuri Kubota (Tokyo), and coordinated by Darian De La Cruz, assisted by Ciaran Austin.
Special thanks to Alex Jacoby, Paul Graham, Atsuko Mita, Kiyomi Nakazaki, and Jasper Sharp.
Special Guest Announced:
The Japan Foundation Touring Film Programme 2019 is proud to announce the attendance of Keisuke Yoshida, director of Thicker Than Water.
Following his debut film Raw Summer (2005), which won the Fantastic Off-Theatre Competition Grand Prize at the 2006 Yubari International Fantastic Film Festival, he has produced a further nine works. This includes the 2016 Japanese box office hit, Himeanole, which premiered at the Far East Film Festival in Italy and stars Go Morita of V6 fame. Thicker Than Water is one of two titles directed by Yoshida in 2018, being closely followed by his latest work, Come On Irene. Director Yoshida will attend special Q&A screenings of Thicker Than Water at:
ICA, London: Friday, 8 February and Saturday, 9 February
QUAD, Derby: Saturday, 9 February
Storyhouse, Chester: Sunday, 10 February
Watershed, Bristol: Monday, 11 February
Showroom, Sheffield: Tuesday, 12 February
Special Guest Announced:
The Japan Foundation Touring Film Programme 2019 is proud to announce the attendance of Yukiko Mishima, director of Dear Etranger.
Female director and screenwriter Yukiko Mishima’s career spans nearly three decades, having started by writing and directing television series – something she does to this day. Her first feature film, The Tattoer, was released in 2009 and is based on Jun’ichiro Tanizaki’s literary classic. Dear Etranger is Mishima’s sixth film and, having had its world premiere at the 18th Jeonju International Film Festival in 2017, it went on to win the Special Grand Prix of the Jury Award at the 2017 Montreal World Film Festival. The 14th Japan Foundation Touring Film Programme screened her film A Stitch of Life to a large UK audience; we are proud to present her latest feature (Dear Etranger) at 11 cities within the UK as part of the 16th edition.
Special Q&A screenings will be held in March at select cinemas across the UK:
Filmhouse, Edinburgh: Sunday, 24 March
Broadway, Nottingham: Tuesday, 26 March
Exeter Phoenix: Wednesday, 27 March
She will also give a special talk and take part in a Q&A session at:
Soho Hotel: Thursday, 28 March